初恋限定。-ハツコイリミテッド- 第10話: 根性無し記.Steinberg Nuendo 4

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Nuendo has had a visual overhaul since the previous version. Any presets you create with the Project Logical Editor can be assigned in Key Commands and be used as part of a macro command.
 
 

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Likewise, Fill To Start and Fill To Punch write the current value of a control being automated to either the start of the Project or the point at which you started the transport rolling for that pass, while Fill Loop writes the current value when the control being automated is released to the current loop region.

When Preview mode is enabled in the Automation panel, you can enable individual controls for a Preview pass by either touching the control or enabling the Preview button on the automation track for that control. However, Preview mode allows you to do much more than simply preview an automation pass.

Once Preview mode is active, three additional commands become available in the Automation panel: Suspend, Punch and Punch on Play.

The Preview Suspend command allows you to toggle between the current Preview position of an automation control and the original automation data that already exists for that control, which is, as you can imagine, incredibly useful. Punch lets you punch in and start replacing the existing automation from the current transport position, at which point Preview mode will become inactive.

When you punch in from Preview mode, Nuendo will store the values of all the controls that were enabled in Preview mode as an entry in the Punch Log, which is part of the Automation panel. The Punch Log is set to store 10 entries by default, although this value can be increased to if you wish.

And once your last entry in the Punch Log has been created, Nuendo will start overwriting the entries at the beginning of the log. Once a punch entry has been added to the log, you can recall it by clicking the Load button, and by enabling Punch on Play, the stored values for all controls in that punch will be written as automation the next time the transport starts playing, which is pretty neat.

Preview mode is pretty powerful, but one area that can become frustrating is having to manually enable every single control you want to include in a Preview pass. One thing that would be nice, though, is a way of enabling all controls on the mixer for Preview mode with a single command, which would also make it easier to work with snapshots of the entire mixer.

Overall, the new automation features in Nuendo 4 are quite impressive. It perhaps goes without saying that a control surface will help you to get the most out of the new automation functionality, and assigning key commands or any customisable buttons on your surface to all of the new controls in the Automation panel is going to be essential.

Here you can see one of the presets that comes with Nuendo 4, which deletes Volume automation tracks. While the new routing and automation features are tremendously useful, possibly my favourite feature in Nuendo 4 is the new Project Logical Editor, which enables you to manipulate objects in the Project window based on certain conditions.

The Project Logical Editor looks like and works in exactly the same way as the Logical Editor, which is used for processing MIDI events, although these two editors work completely independently of each other. The basic premise of the Project Logical Editor is that you can set a condition, and any object that matches this condition on the Project window can either be selected, deleted, or transformed according to the action you specify.

The real power of the Project Logical Editor comes from the fact you can manipulate tracks, parts and events for almost every type of data: audio, MIDI, automation, marker, transpose and Arranger types are all supported. For example, say you wanted to delete all the automation tracks for the plug-in ModMachine.

Any presets you create with the Project Logical Editor can be assigned in Key Commands and be used as part of a macro command. As with the original Logical Editor, presets for the Project Logical Editor also show up in the key commands window, which offers two benefits.

Firstly, you can of course assign key commands to your Project Logical Editor presets; but secondly, and far more interestingly, you can create macros that combine these presets with other Nuendo commands. For example, say you wanted to record all of your stems within a Project. Using the Project Logical Editor, you could create presets that disabled record on all the tracks in your Project, another to record arm on all tracks that had a certain string in the name which would be used to identify those tracks as stems , and finally, one that deleted the stem identification string from the audio events that had been recorded.

By combining all these presets into a macro and adding the Record command before the final preset, you would have a very powerful way of recording stems by using just one command, which could itself be assigned to a key command or a control surface.

The Project Logical Editor is a uniquely powerful feature that will easily enable professional users to create more efficient workflows, and probably cause a degree of envy amongst Pro Tools users. But overall, the Project Logical Editor is terrifically handy. Many of these features, along with the Project Logical Editor, are also part of the recently released Cubase 4.

The new Quick Controls Inspector section allows you to assign eight track parameters for quick and easy access. This is a great way of making your most commonly used parameters more accessible, and a new Quick Controls device in the Device Setup window lets you assign MIDI commands to remotely control the eight Quick Controls on the currently selected track.

On the plus side, the Quick Controls are at least part of a track preset, but I can definitely see situations where I might want to add the same Quick Controls to a track without having to apply an entire track preset. The Sample Editor also sees some improvement in Nuendo 4, with a slightly redesigned user interface that now incorporates an Inspector. The noise floor was minor, so the previous plugins worked perfectly well. The point is we had the functionality for several years, and then suddenly was taken away, and the price is just as high.

Being a high end expensive audio program, noise reduction should be part of it, should not be removed. Costs more, but you sure get more with it. A remarkable toolbox. You can try to open your project in Nuendo 4, apply NR, and continue to work in N And thank goodness.

That precipitated Steinberg finally re-writing the entire video engine from the ground up, which I think is great for the long term. I never want to see such a critical feature dependent on a third-party again. However, if they DID want to bring noise reduction tools back in house, then I think it would be best if they did it by acquisition, rather than developing from the ground up, sort of like what they have been doing with some of the new tools Steinberg has brought under their umbrella like Spectralayers, etc.

Hope they stick with it. Yes I do just that Fredo. My templates and work flow are no longer in N4. I just saw a YouTube clip with a guy opening a 13 year old project in Reaper without an issue, and bragging about it.

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